
The horrific scene was performed in Betrayed, a play by the The New Yorker writer George Packer, author of the acclaimed The Assassins' Gate: America in Iraq. Betrayed, which was screened at the Kennedy Center’s Terrace Theater, is about the plight of the Iraqis who worked for the Americans who were either killed or threatened to be killed by the extremists who considered them traitors, spying for the occupiers and who were betrayed by their American employers who did not help them survive or flee the country for protection. The idea of the play started as an article in The New Yorker by Mr. Paker who adopted the play's plot and characters from real stories and information he gathered as he reported in the article.
The play was great. The New York Times put it in the best words:
“But the clarity of the writing, the urgency of the story being told and the fine performances give the play a sharp dramatic impact and a plain-spoken beauty. Painful human experience is presented here as just that. Nothing else is necessary to awaken sympathy, despair and awareness of a grave moral failure on the part of the American government.”

Before the play started, my Iraqi friends and I had the chance to speak with celebrity and American actress Sarah Jesscia Parker who was hosting the play along with Matt Dillon, and Refugees International. We had the chance to speak with Sarah Jessica about how we lived and worked for American organizations, be it for the government or for the U.S. newspapers. My friend, B, whom the play was partly based on her story as a young woman working in the Green Zone for the Americans, explained to the superstar the reality of the daily risk she put herself in to do her job. Parker was all ears. It was the second time she attended the play. She said she was ready this time. She brought her tissues.